FILMS from AFAR

This 3.5-hour extravaganza, released simultaneously with a companion documentary series, might feel like self-aggrandizing overkill—but only to non-Swifties. Taylor Swift: The Eras Tour – The Final Show captures Swift's joyous, clear-eyed, flirtatious, youthful energy and her connection with her fans, even from a stadium stage. She makes a point of telling them they're the ones who created the community feel of her historic tour, and the "glorious" feeling of singing togethe

Like the magazine itself, this documentary will speak mainly to a core and loyal audience of sophisticated readers, and it provides insights and historical narratives they will appreciate. The New Yorker at 100 moves at a brisk pace and flips engagingly through decades. With chief editor Remnick as guide, the film puts faces to names on some of the highest profile reporters as well as the unknown fact-checkers, designers, and office manager-slash-archivist who maintain this

When I first saw  The Breakfast Club  at my local theater in 1985, I sat through two back-to-back screenings. My companion didn’t want to be seen in the lobby crying after the first show. That was the effect this film had on many of us Gen X-ers. Looking back now, it’s clear why—honest movies about teen life were rare back then. But today, I’m also a little embarrassed by  how  we were seen. When my teenage daughter first watched  The Breakfast Club  and predecessor  Sixteen