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Review: "The New Yorker at 100"
Like the magazine itself, this documentary will speak mainly to a core and loyal audience of sophisticated readers, and it provides insights and historical narratives they will appreciate. The New Yorker at 100 moves at a brisk pace and flips engagingly through decades. With chief editor Remnick as guide, the film puts faces to names on some of the highest profile reporters as well as the unknown fact-checkers, designers, and office manager-slash-archivist who maintain this


INTERVIEW: The Directors of the New Ms. Magazine Documentary on Why the Revolution is Far From Over
This article was originally published by Provoked Magazine . "Try to image a life where you are owned or controlled by the men in your life." This opening line of the documentary Dear Ms. pulls viewers into a past reality that, for many women, isn’t so hard to imagine today. Rights we thought were assured—control over our bodies, our money, our choices—once again feel as flimsy as a page torn from a magazine. While 64 percent of Americans see feminism as empowering, nearly h


Review: "Sally"
In an age when any millionaire can go to space, women can vie for any career, and being gay shouldn't result in public ridicule or hate,...


Review: "Bono: Stories of Surrender"
Honest, affecting, tender, and inspirational, this documentary is a wholly unique piece of work. Perhaps it shouldn't, but it does still...


Review: "Patrick and the Whale"
This surprisingly tender and personal story of one man's connection to two individual whales is a remarkably rewarding watch. Patrick and...


INTERVIEW: Director Rashid Masharawi on Palestine's Oscar Entry
As a woman in one of the 22 short films in Palestine’s International Oscar entry, From Ground Zero , says, the loved ones lost in the ongoing war in Gaza are at risk of becoming “just numbers.” This film aims to resist that happening. But it also aims to go beyond stories of human suffering, according to producer Rashid Masharawi, who conceived of, organized and financed the anthology. On the one hand, he notes, the film intends to “document what’s going on.” On the other han
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